For almost five minutes, Boyega – sounding every inch the literal son of a preacher – rallies the crowd with a visceral, personal and profane account of what it’s like to be black in the same societies that gave us the barbaric deaths of George Floyd, Breonna Taylor, Stephen Lawrence and the countless others like them. Though widely shared now (one Twitter clip has been viewed 3.6 million times), what happened next still has the power to quicken the pulse. ‘What I say to Disney is do not market a black character as important and then push them aside’ It is part of the accumulative origin story that, as he faces a Star Wars-free future for the first time in six years and takes a lead role in the BBC’s forthcoming Windrush generation saga Small Axe, is animating his choices both on screen and off it. It is the fact that, alongside the other tales he will tell me about a childhood punctuated by incidents of racism and police profiling – about how when he first went to Nigeria as a ten-year-old he witnessed his uncles slaughtering a cow and fought the shiver down his spine to help heft buckets of still-warm blood – it is offered up to better illuminate exactly what this 28-year-old has been through and what he is made of. No, it is the conduct of its protagonist. But the point of this skilfully relayed, typically Boyega-ish story is not really its dramatic resolution. Of course, it did not come to a physical confrontation and two watery graves in the Atlantic (after 15 minutes or so of noisy back-and-forth, Boyega heard the approaching growl of a police boat, manned by AK-47-toting officers sent by the film’s production staff to look for him history sadly does not record just how quickly the boat’s would-be hostage taker soiled his pants).

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